Well a picture is worth a thousand words, and a video is worth a lot more than that. So this time around I won’t say much and let the pictures speak for themselves.
This five-level Hanging Garden, built from reclaimed plywood from the Reuse People was installed Tuesday afternoon at Philip Horvath’s loft in the Brewery. The hardest part was getting the ceiling – concrete, but above 3-1/2 inches of pure, white, crumble as you drill into it and of course, eco-friendly styrofoam – to take something from the hardware store strong enough, and long enough, to do the hanging part.
Getting the piece up in about 3 hours, was a real triumph and proves the concept at a whole new level, not to mention the fact that I’ve upgraded the craftsmanship considerably and used a coat of Peonfin oil for a long-term waterproof, beautiful and eco-friendly finish. Now it’s just a matter of further refining the product, testing some new materials and manufacturing approaches and staying in connection with Philip and Barry to see the piece get planted and move through a hopefully very long life cycle. I’ll be sure to update here as the plot thickens.
The video and still footage captured, some of which is shown here is also going to be quite a resource when the Kickstarter is launched for the Venice Community Garden build. Thanks for looking & if you’re interested in a Hanging Garden: markscottlavin-at-gmail-dot-com / 818.538.6586. Thanks!
Last weekend the Geo made its first public appearance with sequenced LED lighting by Lumen Nature. The Los Angeles Decom crowd was pretty amazed, and kudos to Tom Bolton for dropping something like 100 hours building the lighting system on his living room floor. The pics speak for themselves and give a little sense of how bright the future just might be for these super-bright, programmable, endlessly interactive, and yet very low wattage little diodes.
This is also Vertecology’s first real foray into the festival circuit and is giving me a glimpse of just how far this game can go. To say that the crowd was amazed was an understatement, considering that at every instant throughout the night there were at least 3 cameras on the structure and we literally had to guard it all night to prevent climbers from damaging the wiring (we’re working on how to protect the wiring now, so that y’all can climb away!).
This has indeed been quite the experiment, and I am now developing design proposals for next year blending permaculture principles and the best of DIY, open-source tech, to educate, inspire and incite the world that is possible.
And I want to give a shout out to Athena Demos, friend and LA Burning Man/Decom organizer – I just sent you a text message asking where we could drop the geo for some good photos, and the rest was history. Keep it up girl!
Here’s the link to the music score as well, a beautiful remix of Handel’s Xerxes -Largo by Kowalski & Minimalist. Gorgeous.
To have the Geo at your event, have a look at the Modular Portable Structures page. Thanks!
Ever the iconoclast, or at least ever the wannabe, I spent a good number of my teen years insisting on an all-black wardrobe, and to this day I still have my happy black days. Leaving for school in September, Mom would always ask “Aren’t you hot?”
“Nah…” (yes, but it was about looking good. Sweat, what sweat?)
So everyone knows a black outfit on a hot day is very different than a white one, even when they’re otherwise identical. Black absorbs heat and white reflects it.
But just how useful might this principle prove in ecological design? What opportunities does it provide? Could we generate flow in still ponds with patterns of black and white stone? Create temperate and tropical microclimates right next to each other? How about artificial winds where the air gets purified as it flows? Could we reduce the need for powered heating and cooling with color? If so, painting the house isn’t just about pretty; it’s functional… and more profoundly beautiful.
So to grow as a designer and see what’s possible, I pulled together an experiment. It isn’t rocket science, and I know I’m not the first to do it, but it was great to engage.
With one of my wooden octahedron prototypes, about 3 feet to a side already painted black for the LooptWorks show, I painted the other one white. On each I put a triangular “table top” made of half-inch ply, one painted black, the other white. Then I lined them up about two feet apart along the sun-arc so that both got full sun all day and so that neither sat on a hotter or colder spot than the other.
With a laser temperature gun, I took the temperature at the center and corner of each table top, and for comparison, took the temperature of the tar-panel rooftop itself. I should also mention that I did this experiment on a hot LA August day, with not a cloud in the sky after the initial coastal burnoff by probably 10 am.
I found several relationships. When the sun is directly overhead, there was as much as 65 degrees F difference between the tabletops. The black might close in on 150 degrees F while the white hovered around 80 or 90. The difference fell quickly once the sun dropped to the horizon, and disappeared entirely once it was gone, so with sunlight out of the equation, factors other than color determine temperature.
The temperature of the black octahedron swung wildly in daylight with even a slight breeze, more in the corner than the center. While I scanned with the temp gun for 20 seconds, the temperature at the corner might vary 10 degrees with a breeze. The thin plywood, with little thermal mass, would dissipate and regain its heat quickly. The white also fluctuated but not nearly so wildly. And the white sometimes even hung out in the 60 degree range while the hot sun roiled above, setting the roof ablaze to the tune of 120-140 degrees F. The temperature difference between the black center and black corner also varied as much as 20 degrees F while the sun was high up, showing again how the slight thermal mass and poor heat retention of the plywood gives it up to the air quickly.
So can we we generate flow in still ponds with patterns of black and white stone? Create temperate and tropical microclimates right next to each other? Artificial winds where the air gets purified as it flows? Reduce the need for powered heating and cooling with color? Yes, but exactly how and how much is a matter of more experimentation, as well as learning from people who have done these sorts of things, in some cases thousands of years ago, and in some cases learning from the most recent science available. A half-cup innovation plus a half-cup of remembering.
Thinking about the 2012 festival circuit, experimental structures in the “developing world” and some planned DIY offerings, this new awareness is definitely clarifying and helping to define some Vertecology build proposals already in the works.
Some design opportunities now apparent: Using a material other than wood will effect the temperature differences. Using steel or some kinds stone of could produce differences in the hundreds of degrees, maybe enough to turn electrical turbines or “magically” pull water out of “thin air,” though steel heat would probably dissipate a lot faster than stone heat.
Greater thermal mass would also take much longer to heat but also to cool, making it possible to radiate warmth well into the night and keep a house cool well into the day. And materials can be played against one another – low retention, low conductivity wood painted white, vs high retention and moderately conductive stone, vs highly conductive and low retention steel, to create truly designer passive solar effects.
Taking this into consideration, here’s one application of passive solar in a “permaculture structure” with multiple functions in the diagram below. This is based on solar updraft tower technology, and this specific set of diagrams takes the fuel-free energy-generation Botswana Solar Updraft test facility, which ran in 2007, as the starting point. (Their experiment documentation here).
While their small test tower would probably not generate much power, with the right combination and density of materials, its performance might improve dramatically without an increase in size. This at the very least would make a great project for the 2012 festival circuit, and it could become a model for community-scale free energy generation, desert-greening and even seed spreading and vertical habitat building… all at once. (I actually have less interest in really huge industrial versions of this structure 800 meters tall, which require industrial-scale funding, a corporate building approach, and which could have adverse effects on the earth’s atmosphere – think jets of our precious air superheated and streaming into space)
On a more immediate note I also now know why the Sugar Shack roof garden is frying, and we can do something about it. The first of the new tire planters has already been painted white, as of about 4 pm today.
Well, I spent the last week and a half building a pergola for Vertecology’s first private residential client. This was an exciting milestone personally and for Vertecology, the name inspired by “Vertical Ecology,” though going with the “e” instead of the “i,” has turned out to be quite the creative inspiration.
Through Vertecology I am committed to the permaculture principles and one of those principles is “stacking functions.” That means making each element you design produce lots of abundance for the whole – the ecosystem, people, the community and the planet. For example a tree provides shade, habitat for lots of plants and animals, mulch and building materials. It fertilizes and stabilizes the soil, raises the water table, creates diverse microclimates supporting biodiversity, and keeps moisture in the locale (the trees are responsible for as much as 50% of the rain that forest regions receive).
A pergola or patio structure like this if well designed, placed, and planted can aspire to that level of multi-dimensional function. At the very least it can do lots more than look pretty, and that said, I still look forward to photos of this one in a year or two.
First and foremost in the client’s mind was beauty, and shade and enjoyment in the warm months. The lady of the house is looking forward to warm-weather entertaining.
And yet this pergola will mean more than 300 new square feet of growable surface area for oxygen-producing, flowering vines. Structures like this and some much wilder ones in the works are one way to make small urban and suburban yards, nooks and crannies unique, compelling and ecologically productive.
Covered with vines that leaf in the warm months, this pergola will shade the west (back) wall of the house in the afternoon, helping to keep the house cool with less air conditioning. In winter the afternoon sun will shine through much thinner foliage from a lower angle, warming the rear wall and therefore the rest of the house with less electric heating.
The client is considering a flowering, climbing vine such as wisteria which while inedible to people, is a big attractor for moths and butterflies who will pollinate gardens throughout the neighborhood as they make rounds and attract birds as they do. The birds will control bug populations, fertilize a bit of ground themselves and possibly bring seeds from other locales.
And finally, this project was built entirely with Forest Stewardship Council certified wood from Anawalt Lumber. While I prefer to work with reclaimed wood, the finer detailing and longer dimensional lengths desired here meant taking another approach. So the pergola also helped finance a supply chain that takes ecology into account and even me a happy ending after an hour on hold: asking the local Home Depot buyer if they carry FSC lumber, he responded “No… but, you’re the second to ask this month, I’m going to make some phone calls to make it happen.”
Build it and they will come…
Well there’s nothing growing on them (yet… stay tuned…) but this table and octahedron, built of entirely reclaimed materials made an appearance this weekend at the California Gift Show as part of the booth for Looptworks, a Portland, Oregon based startup that has recently been featured in Fast Company and Entrepreneur magazines (Click on the links for the articles). Looptworks specializes in limited runs of stylish clothing and other accessories such as iPad and laptop bags made from “upcycled” materials – scrap fabrics that would otherwise be thrown away by textile manufacturers.
As the photos attest we also included displays for their presentation that were entirely improvised from scrap palettes and plywood dumped in a Midtown LA parking lot – it’s amazing what a bit of paint and style can do. After a hump-day all-nighter building the table I met up with Scott Hamlin and Kiana Neal, who commissioned the design and flew down to represent Looptworks at the Gift Show. We then spent most of a tired but fun Thursday installing at the Los Angeles Convention Center.
The table and octahedron are entirely modular. The table is constructed from a single repeating wooden form that can be modified slightly with each iteration and positioned either to become part of the top or one of the side supports, and that when put together form a solid truss.
The frame was made from reclaimed Douglas Fir 2×4’s that were originally used by a photographer friend for another display, and we decided to leave a few traces of the text she painted on the wood for a little taste of the materials’ history and a stylish flair further enhanced by artful cuts and gaps on the plywood and scrap corrugated plastic tabletop.
The octahedron, also of reclaimed Douglas Fir mostly purchased from Jose Nunez & Son scrap yard in East LA (2×4’s for $1 a piece if you’re willing to pull the nails), is also part of a repeating system, one that can be adapted as a multifunctional garden system – individual octahedron/tetrahedron elements such as this one can be stacked, bolted together, individual units being left open, partially or wholly enclosed, with each unit taking on one or more ecological x structural x happy-people functions, pretty much limited only by imagination. Check the photo below.
All in all a great weekend and I look forward to working with Looptworks again in the near future; we are already planning on another show in October
You can see more photos including process shots on my facebook profile photo album. And do, if you get the chance, click on the link above for Douglas Fir – it helps us all to know where the materials originally originated. These trees can grow to 393 feet. I was quite amazed to learn 🙂