Okay so it’s official. In between rocking out the Hanging Gardens and the rest of the goodies, Vertecology LLC has gone to the bees. Specifically, mason bees, little critters that are about 100 times as effective as honey-bees at pollination and without the sting or the susceptibility to the dread Colony Collapse Disorder. In layman’s terms this means that mason bees, 140 species of which are native to North America (there are about 300 species worldwide, mainly in the Northern Hemsiphere) are so easy to “keep” that even kids can do it and don’t need special training or clothes, and it also means that the fruit apocalypse predicted by doomsayers with the attendant collapse of the bees doesn’t have to happen.
In fact honeybee populations are in trouble, but if enough of us get mason bees augmenting them in the garden, we can still enjoy peaches, plums, apples and apricots and lots of other stuff for a million seasons to come. And when the honeybees do make a comeback, which they certainly will as queens adapt to the new ecological reality, their sharing of the turf with the native, solitary mason bees will not hurt anyone, in fact, will allow for an even more robust ecology.
The idea of offering a number of habitat designs came with a fun and lively bug in my ear by the name of Laura “Bee” Ferguson, principal of Bee Haven International, and we’re both working closely with Pacific Domes International of Ashland, Oregon. While I haven’t got the much hoped for day job with the folks at Pacific just yet we are now excited to be working together on this venture.
In anticipation of the page launch I put up a number of the habitats for sale at the first annual Autumn Ashland Maker’s Market put on by the Southern Oregon Crafters’ Collective, sold a few and got a lot of interest.
So now it’s time to let the secret out, the page is up… click here or just go to the “Mason Bee Habitat” link at the top of this site. There’s a much richer bit of info up there, and it’s going to fill in more in the coming days and weeks, as will the product and build-it-yourself options. On a business front this is exciting too, as it creates an additional layer of very affordable, participatory, permaculture-oriented Vertecology products that will move very quickly and provides the opportunity to prototype and test out business models formerly reserved only for the big installs a lot more easily. Here in fact is the current business plan & financials, if you’re so inclined, thanks to SCORE on this one.
If you’ve got a garden in the zones where mason bees thrive (check the spread on the Mason Bee Page) or know someone who does, make a purchase if you can either from the sidebar on the right side of the Mason Bee page or directly from the Etsy shop… it will support Vertecology, the ecology at large and bring you a lot more yummy fruits and veggies next spring. And do keep checking back as I’m about to get crazy on the design side of things.
Thanks again and enjoy!
Ever the iconoclast, or at least ever the wannabe, I spent a good number of my teen years insisting on an all-black wardrobe, and to this day I still have my happy black days. Leaving for school in September, Mom would always ask “Aren’t you hot?”
“Nah…” (yes, but it was about looking good. Sweat, what sweat?)
So everyone knows a black outfit on a hot day is very different than a white one, even when they’re otherwise identical. Black absorbs heat and white reflects it.
But just how useful might this principle prove in ecological design? What opportunities does it provide? Could we generate flow in still ponds with patterns of black and white stone? Create temperate and tropical microclimates right next to each other? How about artificial winds where the air gets purified as it flows? Could we reduce the need for powered heating and cooling with color? If so, painting the house isn’t just about pretty; it’s functional… and more profoundly beautiful.
So to grow as a designer and see what’s possible, I pulled together an experiment. It isn’t rocket science, and I know I’m not the first to do it, but it was great to engage.
With one of my wooden octahedron prototypes, about 3 feet to a side already painted black for the LooptWorks show, I painted the other one white. On each I put a triangular “table top” made of half-inch ply, one painted black, the other white. Then I lined them up about two feet apart along the sun-arc so that both got full sun all day and so that neither sat on a hotter or colder spot than the other.
With a laser temperature gun, I took the temperature at the center and corner of each table top, and for comparison, took the temperature of the tar-panel rooftop itself. I should also mention that I did this experiment on a hot LA August day, with not a cloud in the sky after the initial coastal burnoff by probably 10 am.
I found several relationships. When the sun is directly overhead, there was as much as 65 degrees F difference between the tabletops. The black might close in on 150 degrees F while the white hovered around 80 or 90. The difference fell quickly once the sun dropped to the horizon, and disappeared entirely once it was gone, so with sunlight out of the equation, factors other than color determine temperature.
The temperature of the black octahedron swung wildly in daylight with even a slight breeze, more in the corner than the center. While I scanned with the temp gun for 20 seconds, the temperature at the corner might vary 10 degrees with a breeze. The thin plywood, with little thermal mass, would dissipate and regain its heat quickly. The white also fluctuated but not nearly so wildly. And the white sometimes even hung out in the 60 degree range while the hot sun roiled above, setting the roof ablaze to the tune of 120-140 degrees F. The temperature difference between the black center and black corner also varied as much as 20 degrees F while the sun was high up, showing again how the slight thermal mass and poor heat retention of the plywood gives it up to the air quickly.
So can we we generate flow in still ponds with patterns of black and white stone? Create temperate and tropical microclimates right next to each other? Artificial winds where the air gets purified as it flows? Reduce the need for powered heating and cooling with color? Yes, but exactly how and how much is a matter of more experimentation, as well as learning from people who have done these sorts of things, in some cases thousands of years ago, and in some cases learning from the most recent science available. A half-cup innovation plus a half-cup of remembering.
Thinking about the 2012 festival circuit, experimental structures in the “developing world” and some planned DIY offerings, this new awareness is definitely clarifying and helping to define some Vertecology build proposals already in the works.
Some design opportunities now apparent: Using a material other than wood will effect the temperature differences. Using steel or some kinds stone of could produce differences in the hundreds of degrees, maybe enough to turn electrical turbines or “magically” pull water out of “thin air,” though steel heat would probably dissipate a lot faster than stone heat.
Greater thermal mass would also take much longer to heat but also to cool, making it possible to radiate warmth well into the night and keep a house cool well into the day. And materials can be played against one another – low retention, low conductivity wood painted white, vs high retention and moderately conductive stone, vs highly conductive and low retention steel, to create truly designer passive solar effects.
Taking this into consideration, here’s one application of passive solar in a “permaculture structure” with multiple functions in the diagram below. This is based on solar updraft tower technology, and this specific set of diagrams takes the fuel-free energy-generation Botswana Solar Updraft test facility, which ran in 2007, as the starting point. (Their experiment documentation here).
While their small test tower would probably not generate much power, with the right combination and density of materials, its performance might improve dramatically without an increase in size. This at the very least would make a great project for the 2012 festival circuit, and it could become a model for community-scale free energy generation, desert-greening and even seed spreading and vertical habitat building… all at once. (I actually have less interest in really huge industrial versions of this structure 800 meters tall, which require industrial-scale funding, a corporate building approach, and which could have adverse effects on the earth’s atmosphere – think jets of our precious air superheated and streaming into space)
On a more immediate note I also now know why the Sugar Shack roof garden is frying, and we can do something about it. The first of the new tire planters has already been painted white, as of about 4 pm today.