Blowing Through the Bottleneck & Occupying Opportunity: A Hanging Garden for the Venice Community Garden
Well some of you might have perused the blog here and seen some cool design projects emerging into some sort of business and then a few rants on new economic models. “Make up your mind,” you might have found yourself thinking, or you might have just wondered how the threads were eventually going to merge, sort of like Cirque and Soleil… is it a Barnum & Bailey circus or risqué theater… which is it…? Well, I’m happy to tell you that the threads do merge into one, and it will become a bit more obvious how here. Opportunities to rise to the occasion and to step into one’s vision often come in strange packages.
This particular opportunity came a few weeks ago as the second client, the Venice Community Garden, lined up for a Vertecology Hanging Garden. Our discussions were filled with excitement. Their existing grant could cover it and they had a spot already picked out.
We all saw that a Hanging Garden, eventually perhaps several, would be great for the Community Garden. A three-level unit could turn one square foot of blossoming, mulching, carbon-sinking, food-making garden space into three with trellising to boot. It would bring beauty and novelty that would make people curious, draw them in and peak their interest in gardening, community, food forestry and permaculture. It could even inspire more creativity, yield potential new gardening students, and bring more income to the community garden’s capable users and teachers.
We saw as well that it would be good for the earth. It is said that an organically-sourced 1.6% increase in soil in currently farmed lands throughout the earth would be the death knell for global warming. Enter the Hanging Garden as soil multiplier. It could create new “edge” and microclimate conditions where biodiversity thrives. It could bring more life into the area, helping to make the whole neighborhood more fertile: think new varieties of plants in each of the boxes attracting the birds and the bees. Meanwhile it would be pulling reclaimed wood out of the waste stream, or at the very least putting income into the hands of sustainable wood suppliers and intrepid CNC Do-it-yourselfers.
And it would be great for me. I’d earn an honest keep, would reinvest the surplus funds to refine the product, design a cool stand to create a freestanding option, develop a manufacturing process, and get lots of footage for outreach and for the Kickstarter campaign I’ve been contemplating. It would bring more exposure for the concept and for Vertecology and new clients to my doorstep.
Great for the community, good for the client, good for the earth, good for the creator; everybody wins. Why then wouldn’t it happen?
Well then last week, the deflated message landed in my voicemail while I worked away at my new full-time “day job” that’s quietly morphing into a part-time job… “The grant is almost gone. We can’t afford the Hanging Garden.” No new blossoming, mulching, carbon-sinking, food-making garden space. No curious visitors. No new inspiration, no new potential students, no new soil, no new biodiversity, no more fertility in the neighborhood, the wood ends up in the garbage after all and the FSC suppliers are a little more broke, no design innovations, no footage and I’m sitting on my hands worried once again about making rent.
We have all been taught that this is the way of things, that there is no other way the world could work. Well-meaning peers remind me of what I already know: that this sort of thing happens all the time. It is to be expected. The best thing is to just plan on it happening some big percentage of the time and move on to the next sale.
But as I said before, opportunities to rise to the occasion often come in strange packages.
Perhaps a year or so ago, newly armed with a Permaculture Design Certificate and ready to kick some ass, I spent the $3 I had in my pocket and a good solid day at a coffee shop exploring how I could launch what is now emerging as Vertecology. It was just an idea then, and in there somewhere was the beginning of a notion of how to break through the bottleneck inherent in the economic monoculture. The point was to be able to do the “good” kind of work, the “work to be done” as Starhawk once called it, the kind of work that liberates the 100% forever, not just the 1% for a little while, that restores the earth’s plenty, the work that continues to yield real ecological, social and technical and artistic “profit” generations after our hands have stopped moving and creates time… The point was to liberate myself and others to be able to do this work and yet share the in the bounty our current economy at least appears to promise.
So here’s the idea, now being called into the game. I was already planning a Kickstarter campaign as I mentioned earlier. A little one, maybe a thousand dollars or so, to work out the refinements, manufacturing and delivery of the Hanging Garden enough to say I can deliver to expectant buyers in a timely fashion. The plan was to start it after the Venice Community Garden install. I have begun already to compose letters to a couple of very green and like-minded companies for sponsorship. Maybe you’ve heard of the LifeBox? Think receiving your Hanging Garden in a LifeBox, then cutting up the box, throwing the shreds in the hanging planters, water and voila!
Then it struck me like a lightning bolt; roll the Venice Community Garden design/build into the Kickstarter! We’re brought together by our common vision and desire and now a wider community can decide if the project is worth it. The amount of money to be raised wouldn’t need to change and the prototypes would get a home right away. The outreach can be to thousands instead of hundreds of people, and all those stakeholders in the success of the Community Garden, Vertecology, Venice, Los Angeles, even in the ideas of permaculture, regenerative economics and community gardening themselves, can vote with their dollars. To the extent they have the dollars… Well, the idea in this first stage of implementation isn’t completely bottleneck-proof, more on how to solve that in a minute. Just saying that for now the Kickstarter idea is enough to get this ball rolling.
And so what about the second stage of the idea, the second stage which could make our unfolding un-bottleneck-able? Truthfully, it makes sense to test the first stage first, but here goes a little preview, inspired by the new openness and willingness of all you Occupiers to hear. I just can’t help myself. The future, say the day after next Tuesday…
Take out the word “Kickstarter campaign” and replace it with “IOU.” As in: the Community Garden issues an IOU, interest-free, backed by its ability and willingness to redeem the IOU for equivalent value to anyone who hands it back to them. To the degree that the community trusts the Garden to redeem the IOU on request, we accept it as money. I can use it at restaurants, in parking meters, at the car wash, to pay rent (which is a lot lower with the loan interest off the landlord’s back). I can issue IOU’s too but of course the same terms apply. Maybe I’ll call mine Buckys after Bucky Fuller. You can issue too. What would you call yours? Einsteins maybe? After all, the power to issue and the power to choose what you accept or decline is a fundamental human right, just like air, and there wasn’t even anything that says it was illegal, even in long ago 2008 (I’m just sayin’). But little Jedis, with great freedom comes great responsibility. If I’m trustworthy with my IOUs and you charge interest for “loans” and play games like cooking the books while trying to force everybody to accept only your IOUs, karma’s going to getcha, just like our bankster friends. My Buckys will soon be worth four of your Einsteins and good luck dear sir!
Anyway back to the present with the caveat that this future is already being worked on, read about it in Thomas Greco’s Money: Understanding and Creating Alternatives to Legal Tender, and ‘nuff said. Once I have enough experience, partnership and clout with Vertecology, I’ll be investing Vertecology’s resources into helping to make that last paragraph a living reality. Then there won’t be any trouble getting Hanging Gardens out there till something truly better for everyone makes itself known. For now, forget I said anything. Scratch it from memory.
Norma at the VCG is already excited about the Kickstarter idea and I’ll be launching in the next month or two, as we get the materials organized. The Venice Community Garden will get its Hanging Garden after all. Stay tuned & thanks for your continued interest!
Well it’s always a little nerve-wracking when finally cutting the ribbon on a new project, no matter how much you’ve tested it. Even though I dropped a few 15 gallon buckets of water down the chute from the Sugar Shack’s rooftop to test the rainwater catchment system after I finished the build, and even though I added an extra bead of silicone caulk to those pesky corner-rounding spots in the rain gutters, there was still that nagging sense of… what if?
No more. We got our first storm in the neighborhood yesterday, a few solid hours of rain in the afternoon, and I couldn’t wait until the sun popped out to find out how the system was doing. The inflows were dropping a heavy flow into the barrels and doing just fine. After the rains had passed our four barrels were about half full, about 110 gallons caught.
Now I can get a more accurate idea of how much water we can catch: I went to www.noaa.gov and typed in our zip code. The nearest weather station to us is on the USC campus, which is a few miles away, but it’s close enough to give an idea of how much rain we got. The USC station got about 0.16 inches of rain during the storm; an average LA rain year of 15 inches would fill our barrels almost 50 times, though most of that will occur over the course of an entire six month “wet” season, and anything over 0.3 inches at once will be lost to the overflow.
It’s a good thing then that I actually improved the garden drainage by shunting the overflow directly into the drainage pipe, and there’s ample opportunity (and barrels around the garden) to do a rooftop catchment as well.
Today I proved a refinement concept to the Hanging Garden, and was so excited to see a five-level prototype (ceiling to floor, baby!) that I was tempted to drop all the other stuff I have to do this weekend in favor of a fat dinner and a movie, lol! The main change, the knot-&-keyhole connector system means that anyone can now assemble a Hanging Garden in just a couple of hours and will need only a decent drill to put the ceiling mount in place. These photos show the simplified version made out of reclaimed MDF I put together just to test the improvements.
There’s more to come as I will soon be installing two of these beauties, one in an urban loft for an in-house herb-garden, and one outdoors in a Venice community garden.
As I mentioned in my last post about the Hanging Garden, I’m taking orders in California. I’ll build you a five-level hanging garden with integrated planter boxes on each level as shown in the original post for $500 and the right to capture some photos over the next few years. For a different number of levels and for customization, the price varies. Until I have a Vertecology online store up and running, just call me at 818.538.6586 or send me an email at markscottlavin-at-gmail-dot-com with “Hanging Garden” in the subject line. Thanks & happy Halloween everybody!
You won’t hear about it on the evening news. The papers might cover it on page 30 of section Q, but a groundswell is underway in LA that could become one of the cornerstones of an emerging “Pangaea food forest,” a meta-solution and rebirth of the commons I’ve shouted out about a few times on this blog.
Here are a few shots from recent community garden builds at LA public schools, one on the Westside, the other on the Eastside.
The Westside: Coeur D’Alene Elementary in Venice, there’s me working alongside around 200 volunteers coordinated by Norma Bonilla and Frances DellaVecchia one recent Saturday. Thanks also to Creative Artists Agency, 44 rocking YouthBuilders, Robert Redecker, Francisco Castillo, Boho Chic and a whole lot of others.
The Eastside: George Washington Carver Middle School in Watts, where there’s been a roughly weekly happening coordinated by Athena Demos of Burners Without Borders and Clarency “Lucky” Luckey of LAUSD, thanks also to WorldWorks volunteers and a whole lot of others.
Like any decent permaculture move, we get multiple benefits from just the simple (though not easy) act of getting a school garden started. Free organic food for the locals. Oil-dependence and money-dependence giving way to economic, political and spiritual self-reliance. Neighbors working side by side, getting exercise and sun while connecting with each other. Kids learning the nature of nature from nature itself, getting a deeper reflection of who they are and what’s possible. Inter-generational cooperation, restoration of the “hoop of generations.” Healthy ecosystems bringing biodiversity to the neighborhood. Authentic public space where minds meet and create the unpredictable, sparking true cultural evolution and resilience. And on and on it goes
So… let the games begin. We’ve got the baddest gardens. No, we do, Westsiyeeed…! Let it rip! Vertecology’s gonna get nasty and play both sides.
For more on the Carver Garden and how to get involved if you’re in the LA area: www.laburningman.com, click on the “Carver Garden” menu link.
For more on the Coeur D’Alene Garden and how to get involved: contact Norma, the Garden teacher at firstname.lastname@example.org.
I’ve been dreaming of an ultra-eco, hyperversatile hanging garden system for the modern age, one where multiple useful species can grow together for maximum effect in a three-dimensional ecosystem. In fact, I’m dreaming no more. Here are some computer model screenshots and the proof of concept.
Already the product is exceeding expectations; one will note the extreme rigidity and stability of the system, which shocked me as well as pretty much everyone here at the Sugar Shack. First it was just about feeling the uncanny rigidity when you’d try to swing the structure, but as of about 10 pm tonight, the system also successfully passed a 200 lb weight test with barely a creak. Apparently that’s just the magic of triangles, which R. Buckminster Fuller noted as the most stable shape in the universe.
And it doesn’t have to be just a garden structure. Shelves, cat-houses, bird-feeders, bat habitats, even elevated fish ponds and combinations of all the above have been suggested in the last few days. You can hang ‘em from the patio, from the ceiling joists, from a tree, from a bridge, from a utility pole (guerilla gardening in the concrete jungle anyone?), and you can build a wall of them on the farm or your 30th floor balcony.
It’s all just rope, reclaimed wood and reclaimed plastic lining, except for the three hardware mounts, and I intend to keep it that way. At the very least I’ll be using exclusively Forest Stewardship Council certified wood and reclaimed/recycled if you want other materials like plexi. I’m now refining the connector system so that it will be easy for anyone to assemble in half an hour. Once I’ve determined how to manufacture the components quickly, cheaply and in a way that empowers people, communities and planet (I’m quickly learning that this will be an on-going process of refinement) the plans, CNC files if applicable and kits will become available here at Vertecology.com and possibly through other vendors.
For now I’m taking orders if you’re in California and want a Hanging Garden. I’ll be happy to build you a five-level hanging garden as shown in the computer graphics here (2 feet wide by about 8-1/2 tall) and install it for $500 and the right to capture some photos over the next few years. For a different number of levels and for customization, the price will vary. Until I have a Vertecology online store up and running you can just call me at 818.538.6586 or send me an email at markscottlavin-at-gmail-dot-com with “Hanging Garden” in the subject line.
Ever the iconoclast, or at least ever the wannabe, I spent a good number of my teen years insisting on an all-black wardrobe, and to this day I still have my happy black days. Leaving for school in September, Mom would always ask “Aren’t you hot?”
“Nah…” (yes, but it was about looking good. Sweat, what sweat?)
So everyone knows a black outfit on a hot day is very different than a white one, even when they’re otherwise identical. Black absorbs heat and white reflects it.
But just how useful might this principle prove in ecological design? What opportunities does it provide? Could we generate flow in still ponds with patterns of black and white stone? Create temperate and tropical microclimates right next to each other? How about artificial winds where the air gets purified as it flows? Could we reduce the need for powered heating and cooling with color? If so, painting the house isn’t just about pretty; it’s functional… and more profoundly beautiful.
So to grow as a designer and see what’s possible, I pulled together an experiment. It isn’t rocket science, and I know I’m not the first to do it, but it was great to engage.
With one of my wooden octahedron prototypes, about 3 feet to a side already painted black for the LooptWorks show, I painted the other one white. On each I put a triangular “table top” made of half-inch ply, one painted black, the other white. Then I lined them up about two feet apart along the sun-arc so that both got full sun all day and so that neither sat on a hotter or colder spot than the other.
With a laser temperature gun, I took the temperature at the center and corner of each table top, and for comparison, took the temperature of the tar-panel rooftop itself. I should also mention that I did this experiment on a hot LA August day, with not a cloud in the sky after the initial coastal burnoff by probably 10 am.
I found several relationships. When the sun is directly overhead, there was as much as 65 degrees F difference between the tabletops. The black might close in on 150 degrees F while the white hovered around 80 or 90. The difference fell quickly once the sun dropped to the horizon, and disappeared entirely once it was gone, so with sunlight out of the equation, factors other than color determine temperature.
The temperature of the black octahedron swung wildly in daylight with even a slight breeze, more in the corner than the center. While I scanned with the temp gun for 20 seconds, the temperature at the corner might vary 10 degrees with a breeze. The thin plywood, with little thermal mass, would dissipate and regain its heat quickly. The white also fluctuated but not nearly so wildly. And the white sometimes even hung out in the 60 degree range while the hot sun roiled above, setting the roof ablaze to the tune of 120-140 degrees F. The temperature difference between the black center and black corner also varied as much as 20 degrees F while the sun was high up, showing again how the slight thermal mass and poor heat retention of the plywood gives it up to the air quickly.
So can we we generate flow in still ponds with patterns of black and white stone? Create temperate and tropical microclimates right next to each other? Artificial winds where the air gets purified as it flows? Reduce the need for powered heating and cooling with color? Yes, but exactly how and how much is a matter of more experimentation, as well as learning from people who have done these sorts of things, in some cases thousands of years ago, and in some cases learning from the most recent science available. A half-cup innovation plus a half-cup of remembering.
Thinking about the 2012 festival circuit, experimental structures in the “developing world” and some planned DIY offerings, this new awareness is definitely clarifying and helping to define some Vertecology build proposals already in the works.
Some design opportunities now apparent: Using a material other than wood will effect the temperature differences. Using steel or some kinds stone of could produce differences in the hundreds of degrees, maybe enough to turn electrical turbines or “magically” pull water out of “thin air,” though steel heat would probably dissipate a lot faster than stone heat.
Greater thermal mass would also take much longer to heat but also to cool, making it possible to radiate warmth well into the night and keep a house cool well into the day. And materials can be played against one another – low retention, low conductivity wood painted white, vs high retention and moderately conductive stone, vs highly conductive and low retention steel, to create truly designer passive solar effects.
Taking this into consideration, here’s one application of passive solar in a “permaculture structure” with multiple functions in the diagram below. This is based on solar updraft tower technology, and this specific set of diagrams takes the fuel-free energy-generation Botswana Solar Updraft test facility, which ran in 2007, as the starting point. (Their experiment documentation here).
While their small test tower would probably not generate much power, with the right combination and density of materials, its performance might improve dramatically without an increase in size. This at the very least would make a great project for the 2012 festival circuit, and it could become a model for community-scale free energy generation, desert-greening and even seed spreading and vertical habitat building… all at once. (I actually have less interest in really huge industrial versions of this structure 800 meters tall, which require industrial-scale funding, a corporate building approach, and which could have adverse effects on the earth’s atmosphere – think jets of our precious air superheated and streaming into space)
On a more immediate note I also now know why the Sugar Shack roof garden is frying, and we can do something about it. The first of the new tire planters has already been painted white, as of about 4 pm today.
Well, I spent the last week and a half building a pergola for Vertecology’s first private residential client. This was an exciting milestone personally and for Vertecology, the name inspired by “Vertical Ecology,” though going with the “e” instead of the “i,” has turned out to be quite the creative inspiration.
Through Vertecology I am committed to the permaculture principles and one of those principles is “stacking functions.” That means making each element you design produce lots of abundance for the whole – the ecosystem, people, the community and the planet. For example a tree provides shade, habitat for lots of plants and animals, mulch and building materials. It fertilizes and stabilizes the soil, raises the water table, creates diverse microclimates supporting biodiversity, and keeps moisture in the locale (the trees are responsible for as much as 50% of the rain that forest regions receive).
A pergola or patio structure like this if well designed, placed, and planted can aspire to that level of multi-dimensional function. At the very least it can do lots more than look pretty, and that said, I still look forward to photos of this one in a year or two.
First and foremost in the client’s mind was beauty, and shade and enjoyment in the warm months. The lady of the house is looking forward to warm-weather entertaining.
And yet this pergola will mean more than 300 new square feet of growable surface area for oxygen-producing, flowering vines. Structures like this and some much wilder ones in the works are one way to make small urban and suburban yards, nooks and crannies unique, compelling and ecologically productive.
Covered with vines that leaf in the warm months, this pergola will shade the west (back) wall of the house in the afternoon, helping to keep the house cool with less air conditioning. In winter the afternoon sun will shine through much thinner foliage from a lower angle, warming the rear wall and therefore the rest of the house with less electric heating.
The client is considering a flowering, climbing vine such as wisteria which while inedible to people, is a big attractor for moths and butterflies who will pollinate gardens throughout the neighborhood as they make rounds and attract birds as they do. The birds will control bug populations, fertilize a bit of ground themselves and possibly bring seeds from other locales.
And finally, this project was built entirely with Forest Stewardship Council certified wood from Anawalt Lumber. While I prefer to work with reclaimed wood, the finer detailing and longer dimensional lengths desired here meant taking another approach. So the pergola also helped finance a supply chain that takes ecology into account and even me a happy ending after an hour on hold: asking the local Home Depot buyer if they carry FSC lumber, he responded “No… but, you’re the second to ask this month, I’m going to make some phone calls to make it happen.”
Build it and they will come…